
Hachiku's Anika Ostendorf takes us through her Brunswick Music Festival itinerary

Meet the venues underpinning this year's Brunswick Music Festival

Skegss tore apart the Bowl in a matinee show for the ages

“I believe performance spaces are holy spaces": Brunswick Ballroom has revitalized one of Sydney Road’s oldest venues

Pacific Islander and First Nations artists are taking over Live at the Bowl next month

Close Counters’ performance at Colour was an unforgettably inventive audiovisual experience

Get ready regional Victoria, a huge tour is coming with Alice Skye, Amyl and the Sniffers and more

Mushroom Group founder Michael Gudinski has died, aged 68

Splendour in the Grass has been pushed back to November 2021

Vera Blue is teaming up with the Melbourne Symphony Orchestra for a performance celebrating women in music

From J. J. Cale to 'Groundhog Day': Bones and Jones tell us what inspired their new album 'Ginger Gold (Farm Singles)'

"Sometimes you need to frighten yourself": For The Cat Empire's Felix Riebl, it's creativity over comfort
Beat's ultimate guide to...
The best music of the 2010s
Buckle up and prepare for a whopping dose of nostalgia.

Chutney's new Elton John-inspired single 'Invisible' is beautifully bittersweet

Shame's new album 'Drunk Tank Pink' is one of the best post-punk records in recent memory

Sleaford Mods' 11th album 'Spare Ribs' is a bruising appraisal of Britain's current cataclysm

Something For Kate make a spirited return with their first album in eight years, 'The Modern Medieval'

King Gizzard's 16th album 'K.G.' is an epic mishmash of all the band's prior achievements

Hachiku's 'I'll Probably Be Asleep' is one of the best Melbourne albums of 2020

The Badloves’ Michael Spiby reflects on the band's iconic debut album, 'Get On Board'

NGV has revealed its huge 2021 program

Beat's best of Bandcamp featuring Melbourne label and DIY enthusiasts, Efficient Space

This International Women's Day celebration is empowering female voices through music and performance

When will the storm pass for Melbourne’s live music industry?
