Almost a quarter of a century into their fight, Dreadnaught is a true Aussie heavy music institution, and they deserve nothing but respect for the persistence and determination they’ve shown over the years. To survive all this time against everything life and music has thrown at them is quite remarkable. Oh, and they continue to put out ridiculously strong music too, and this is no exception.
This is a band that has remained completely true to themselves and their core audience, whilst refusing to stand still. And, after the ballsy, head-kicking rock of the aptly titled Dirty Music from 2005 and the thrashy, more metallic D->0 (2009), Caught the Vultures Sleeping is exactly the album you might expect from these veterans. It takes elements from both those records, injects a little more dark moodiness, atmosphere and acoustic tones into the mix (slow-burning eight minute closer Warning Signs is a real surprise. But it works a treat.)
Best track award, however, goes to the driving, but dynamic, Welcome to Oblivion.
Musicianship is rock solid, especially from lead guitarist Richie Poate, whose ever-silky and tasteful lead lines are sweet as sugar-infused honey. Frontman Greg Trull howls his lyrics of rage with palpable angst and Marty O’Shea’s drums are powerfully in the pocket. Producer Reggie Bowman puts his own unique sonic stamp on proceedings as well.
This is a very mature, extremely listenable addition to this band’s illustrious catalogue of work.
BY ROD WHITFIELD
