Delving into the isolation of a vacant space — business cubicles, stairwells, alleyways — Jenkins uses various techniques and methods to produce a collection of works that herald Melbourne’s beginning in the rag trade, and commerce. Including sculptures that are set on bluestone (a signature stone of Melbourne architecture), whilst marrying mediums one would not think possible; she weaves layers of shellac, charcoal, oil paint, rabbit skin glue with silk.