Pikelet : Pressure Cooker
An eerie, blissfully demented soundscape from the now fully-fleshed out Pikelet outfit, Pressure Cooker features a smorgasbord of an unhinged bassline and hypnotic synth chimes. Centre of the storm...review
Jagwar Ma : Man I Need
Posted 22 May 2013 @ 3:09pm
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Giving Madchester a ‘Strayan accent, Jagwar Ma is a trippy call to arms that’s quite unlike much else currently happening in the Australian music world at the moment. The track’s themes explore a boyish reaction to an affront to the protagonist’s masculinity, an unreliable narrator’s cathartic cries in the midst of an enticing psychedelic wash.
Oscar Key Sung : It's Coming
Posted 22 May 2013 @ 3:02pm
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Melbourne duo Oscar + Martin never really did it for me, but the solo output from Oscar Key Sung goes down a treat. It’s Coming is all kinds of incredible, a triumphant showcase of vocal chops and resounding production skills – even though it sounds like it samples a honking goose (cannot un-hear). The B-side is a Miguel cover, and inviting the comparison works in Oscar’s favour.
Seja : Like Fireflies
Posted 22 May 2013 @ 2:58pm
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Lifted from the upcoming full-length All Our Wires, Seja’s Like Fireflies is a delectable slice of organ-pop goodness. Exploring a myriad of deep ocean and deep space keyboard tones, Seja commands us through a lovely psychedelic daydream with a welcome and warm vocal take. Top stuff.
Totems : III: Sidpa
Posted 22 May 2013 @ 2:53pm
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A sample from the upcoming EP Bardo Thodol, III: Sidpa is a tasty and tasteful trap meditation from Totems, aka Kiwi producer Reuben Winter. Nestling somewhere beyond Clams Casino drug haze, HudMo crispness and slight Lex Luger bombast, the track holds up as a swagged out brandishing of compositional talent.
On Sierra : Young Heart
Posted 22 May 2013 @ 2:51pm
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Young Heart sounds a little bit like Tame Impala and a lot like someone left The Temper Trap’s masters in a chemical vat overnight. It would definitely work better as an instrumental, with the vocal bursts exposing a sense of aimlessness. Eventually it trails off into a fade-out just as things feel like they’re beginning to kick into overdrive. Some promising moments, but more established focus...
Second Hand Heart : Hold On
Posted 22 May 2013 @ 2:48pm
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A soaring display of pop majesty, Hold On backs up its ambitious scope with a broad tapestry of uplifting melancholia. Ornate production twists and turns until guiding us back to ground with a contemplative piano-led coda.
Bad//Dreems : Caroline
Posted 22 May 2013 @ 2:46pm
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Trying their best to vehemently undo all recent progress in eliminating our country’s tendency for cultural cringe, Adelaide’s Bad//Dreems answer the unasked question – what happens when a mediocre garage band is garnished with a godawful pub-rock vocal style? Infinitely worse than any indie-schlock being pumped out by the national youth broadcaster and not worthy of being muttered in the same...
Alex Cameron : She's Mine
Posted 22 May 2013 @ 2:43pm
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It’s a little bit surprising to hear Seekae’s Alex Cameron shying away from his full time band’s signature brand pulsating electronica, considering Flume has broken through in a big way to the mainstream with similar sonic characteristics. She’s Mine navigates a stripped-back vintage electro pop backbone, with Cameron’s captivating croon overcoming an at times stunted flow. Reminds me of Twin...
Dizzee Rascal Feat. Robbie Williams : Goin' Crazy
Posted 22 May 2013 @ 1:28pm
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An unlikely collaboration that makes more sense than it should, Goin’ Crazy marks a welcome return to form for Robbie Williams as he commands the bridge and chorus hook – eating up more of the track than the top-billed Dizzee. The man himself performs a few dutiful verses. Not as in-your-face as we’d expect from Mr. Rascal, but a serviceable strain of mainstream British pop.
Standish/Carlyon : Deleted Scenes
Posted 22 May 2013 @ 11:08am
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Tom Carlyon and Conrad Standish deviate from their past work in The Devastations and venture into lush, Lynchian territory for their debut album as Standish/Carlyon. It’s more on the level of HTRK, but with a wink and nudge to lighter, retro sounds. HTRK’s Jonnine Standish jumps in for lead vocals on Deleted Scene’s third track and they are notably less bone-crushing than the intonations on her...
Buried Feather : Buried Feather
Posted 21 May 2013 @ 2:52pm
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The restorative beauty of psychedelic music resides in its sonic elasticity and spiritual qualities. With life increasingly constructed by artificial deadlines, vacuous social media conversations and false political consciousness, psychedelia provides a window into a world where stuff comes in colours, where riffs bend around corners, where the sonic world comes to life in all its textural glory...
The Dillinger Escape Plan : One Of Us Is The Killer
Posted 21 May 2013 @ 2:40pm
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Woe betide the genre named after the worst kind of homework. "Mathcore" elicits as many cringes as it does exaltations from those in the know. An outer layer of maths let alone a core would send most scurrying away fast as legs can carry them. The Dillinger Escape Plan (DEP) is the band for which the title is "derived" and on this, their fifth record sees DEP's evolution best served by a step...
Tenacious D @ The Palais
Posted 21 May 2013 @ 2:37pm
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While some musical-comedy acts struggle to maintain audience interest for longer than a single song, Tenacious D are the exception that proves the rule. There's no question that the appeal is Jack Black, whose elastic vocal histrionics and Hollywood A-List status pull 95% of the focus. Not that Kyle Gass isn’t a great guitarist, with acoustic shredding as good as any of the other acoustic...
Om @ The Hi-Fi
Posted 21 May 2013 @ 2:27pm
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Here are three phrases from Om’s Wikipedia page which give you a bit of an idea of who they are, and give me a creative way to disguise lazy writing: “similar in structure to Tibetan and Byzantine chant”, “Live at Jerusalem” and “natural vibration of the universe”. Unsurprisingly, also listed on the page is “stoner rock”.
Om, consisting of bassist/vocalist Al Cisneros, drummer Emil Amos...
Local Natives @ The Forum
Posted 21 May 2013 @ 2:23pm
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Although it wasn’t quite a full house at the Forum for Local Natives, it was a certainly a very appreciative crowd. This LA indie-rock band are experts at crafting accessible, hook-laden songs with a real depth to them and they have the potential to be huge. Tonight felt like the sharing of a secret among a crowd who have connected to the group’s strong set of songs on an emotional level and had...
Beastwars @ The Bendigo
Posted 21 May 2013 @ 2:16pm
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I hate flying. I always end up catatonic with fear, unable to ingest any form of inflight entertainment. I guess it’s the uncertainty that accompanies being trapped in a hurtling tube of metal through the upper reaches of our atmosphere. Earlier on in the year during a nasty bout of turbulence, I turned to Air New Zealand’s media unit for solace – tuning in to the alphabetically-benefited Kiwi...
The Cat Empire : Steal The Light
Posted 17 May 2013 @ 1:00pm
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This is the sixth studio album from Melbourne's-own Cat Empire, and the first as an independent release. Almost ten years on from the debut which featured the massive hits Hello and Days Like These, the band have had a huge amount of success at home, in Europe and across the globe.
Steal The Light is a pretty enjoyable record, led by excellent opening track and lead single Brighter...
Wire : Change Becomes Us
Posted 17 May 2013 @ 12:56pm
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Since 1976, English band Wire have confounded expectations by doing everything they can to avoid easy categorisation. Their expertly executed albums have embraced everything from spiky punk to deliciously strange experimental music. On the intelligent Change Becomes Us, Wire demonstrates that they have lost none of their wilful eclecticism and fierce artistry. Opening salvo Doubles & Trebles...
Underground Lovers : Weekend
Posted 17 May 2013 @ 12:50pm
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Underground Lovers achieved a degree of fame in Melbourne with their electronic groove music before it all slowly dried up and they disappeared. Save for a 'best off' compilation last year the band members have worked on separate projects and eked out their own carreers since. Seemingly, the Underground Lovers were laid to rest. No so! "Weekend" sees the reincarnation of the cherished Leaves Me...
Prudence Rees-Lee : Court Music From The Planet Of Love
Posted 17 May 2013 @ 10:02am
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An album called Court Music From The Planet Of Love featuring a song with the title Come All Ye Fair And Tender Maidens should give you a clue as to the type of sounds you’ll hear in Prudence Rees-Lees’ alternative reality. Despite its melody echoing The Bangles’ Eternal Flame, otherworldly opening song The Way leads the listener into a mysterious far-off land, after which you’ll either shrug...
Woodlands Hotel
Posted 16 May 2013 @ 2:25pm
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It’s always interesting to see the route suburban pubs take on their journey to the famed ‘gastropub’ model, more so when they get it right. The Woodlands Hotel hits the nail on the head, with so many factors in place to please the senses. The Coburg location boasts beautiful shopfitting, with its faux-everything décor well-complemented by stylish vintage installations.
We were first presented...
The john Curtin Hotel
Posted 16 May 2013 @ 2:11pm
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The John Curtin Hotel has already well and truly established itself as one of Melbourne’s finest inner city pubs and live music venue yet the reason for tonight’s visit was to sample what’s on offer on the newly revamped food menu; the creation of new head chef Tim.
On first look at the menu, what you’ll notice is that the John Curtin’s got you covered whether it’s traditional pub fare you’re...
No Child
Posted 16 May 2013 @ 10:36am
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Nilaja Sun’s No Child has returned and provides a heartfelt and hilarious insight into America’s troubled public education system. Written and performed solely by Sun, it is a play about a group of students putting on a play, about a group of convicts, putting on a play.
While a slightly challenging premise to get your head around, Sun’s intricate performance seems effortless. With a couple of...
Batpiss : Drag Your Body
Posted 15 May 2013 @ 2:56pm
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With a relentless five-note descending mutant riff that threads the entirety of Drag Your Body, Collingwood’s Batpiss claw you right in the Achilles tendon and don’t let up till you’re fully submerged in a slow-burning pit of toxic tar, beating you down with pure dread and disdain along the way. A superb, heavy slice of the post-apocalyptic record Nuclear Winter – which the three-piece launch at...
Is Tropical : Dancing Anymore
Posted 15 May 2013 @ 1:40pm
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The video for Dancing Anymore is most definitely the best of the year, detailing a wank romp fantasy taken to the logical extreme. It’s almost a shame that the clip is so good, as the track itself is a joyous pop romp. In short: cum for the video, stay for the tune.
Camera Obscura : Do It Again
Posted 15 May 2013 @ 1:35pm
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God dammit I just got flashbacks to the PS2 game Project Zero where you had to take pictures of ghosts using a camera obscura and it scared the fuck out of me and when one of my mates played it stoned he reached a state of shock where he could only communicate with chicken noises for a whole night. Anyway, I also have faint memories of Camera Obscura the band, and Do It Again is a fairly safe...
Midnight Juggernauts : Memorium
Posted 15 May 2013 @ 1:31pm
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Lifted from their upcoming full-length Uncanny Valley, Memorium is a majestic return to the dancefloor for the freshly resurgent synth purveyors. Never overreaching, frontman Vince Vendetta commanding baritone draws you in with the inflections of Bela Legosi’s Dracula. Percussive rave synths are on point, and the minimalist coda has an eerie undercurrent, sounding like a spaced-out Angelo...
Daughter : Human
Posted 15 May 2013 @ 1:25pm
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There’s an enticing swirl of hypnotic instrumentation present on Human – a disjointed snare punctuation, understated guitar pulses and a subtle orchestral build. The cries of “despite everything/I’m still human” skirt between a razor’s edge of fragility and empowerment, eventually surrendering with the final line which is best enjoyed spoiler-free.
Queens Of The Stone Age : I Appear Missing
Posted 15 May 2013 @ 1:20pm
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Approaching the release of their first LP in five years, Josh Homme and co. are riding a wave of near-infallibility. It’s deserved, I guess, considering that QOTSA have never produced anything truly awful – and memories of their greatest moments can carry them over more languid moments such as Era Vulgaris and this, a slowed down carousel-like track that never really lifts. It’s solid, and Homme...
Palma Violets : We Found Love
Posted 15 May 2013 @ 1:18pm
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Was really hoping this would be a RiRi cover, but alas, it’s a shitty dose of drunken Brit guitar that tries to act clever with a tempo switch-up. Do these NME-knighted lads know what fate is in store? They’re bound to end up on the indie scrapheap alongside that band I can’t remember that sounded like The Libertines and that other band that sounded like the band I can’t remember. No one can...
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Radio Birdman guitarist and principal songwriter Deniz Tek’s fascination with the imagery of eyes derived in part from a book he read, in which a pair of eyes watched over the evolving world; the...
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https://soundcloud.com/bassartrecordings/sets/art001
The debut release from Bass Art Recordings features tracks from four of Melbourne's most exciting up and coming producers. The EP spans from...
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https://soundcloud.com/bassartrecordings/sets/art001
The debut release from Bass Art Recordings features tracks from four of Melbourne's most exciting up and coming producers. The EP spans from...
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As long as a piece of rope - but like, not as thick
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The mold... when I was born. Coincidentally I did my motorcycle proficiency course with Damon...
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BEAT’S TOP TEN SONGS ABOUT MYTHICAL CREATURES
1. Vampire RAMMSTEIN
2. The White Unicorn WOLFMOTHER
3. You Gotta Pay The Troll Toll FRANK REYNOLDS
4. Zombie THE CRANBERRIES
5. Nightcrawler JUDAS PRIEST
6. Puff The Magic Dragon PETER, PAUL & MARY
7. Unleash The Dragon SISQO
8. The Number Of The Beast IRON MAIDEN
9. The Fairy And The Labyrinth JAVIER NAVARRETE
10. Feed My Frankenstein ALICE COOPER


